Postscript on Dara and Gaddis

Last month, I sketched out the case that Manuel Puig may have had more to do with the look and sound of Evan Dara’s novels than William Gaddis. But, while setting it up, I wrote that he had broken his silence on only one occasion, in swatting away Tom LeClair’s query about the influence ofContinue reading “Postscript on Dara and Gaddis”