The Lost Scrapbook Named Among “Great Books That Deserve to Be Better Known”

In a June 2026 roundup for The Conversation, literary journalist James Ley asked seven Australian literary scholars to nominate their favorite underappreciated book. Emmett Stinson, Senior Lecturer in Creative Writing and English at Edith Cowan University, chose Evan Dara’s The Lost Scrapbook. Stinson places the novel squarely alongside the major maximalist works of the 1990s,…

The Lost Scrapbook Wins at the Japan Translation Awards

We’re excited to announce that The Lost Scrapbook has just won the Grand Prize at the 11th Japan Translation Awards! On April 27, 2025, the Japan Translation Award committee met in Tokyo and named two works as recipients of this year’s Grand Prize. One of them was the Japanese translation of The Lost Scrapbook, carried…

Things Ain’t What They Seem: Frank Capra’s It’s a Wonderful Life

by Gilbert Sorrentino [Note: This was originally included in the second issue of Context, which was published by the Review of Contemporary Fiction in 2004. While it is technically still available in the Wayback Machine, it seemed a shame to let this piece languish in digital exile. If requested, we will be swift in taking…

Evan Dara’s The Lost Scrapbook: First Japanese Translation

It brings us immense pleasure to announce that Evan Dara’s The Lost Scrapbook will be available in its first-ever Japanese translation this November, translated by the esteemed Yoshihiko Kihara. Known for its unique style—written without periods and narrated by countless anonymous voices—this novel has long been considered an “unread masterpiece.” Originally published in 1995, The…

William Gass’s Intro to Robert Coover’s The Public Burning

From William Gass’s introduction to the 1998 Grove Press edition of Robert Coover’s The Public Burning: “Written in the 1970s, published finally in 1977, about actual and imaginary events of June 1953, it could not be more current, more relevant, more right on than it is now (or whatever date the reader finds herself immured)….…

The Reader’s Role in Experimental Fiction

In the wilds of experimental fiction, the reader is not merely a passive recipient of story and structure but a co-conspirator in the act of creation, an often cross-eyed figure whose interpretive capabilities are summoned to fill the non-linear narrative gaps, resolve shady ambiguities, and imagine the text into meaning. The reader, in these instances,…

Guiding Mose Eakins, Part 2

I needed a framework, an organised structure for breaking down Evan Dara’s play Provisional Biography of Mose Eakins into its fixed and variable components. The solution was a large table, a gridded spreadsheet with time on the vertical axis.

Guiding Mose Eakins, Part 1 

by Ned Devere (@edevere17) 1. Pseudonymous  I came late to Evan Dara. You see, to entertain myself and a few like-minded others I blog pseudonymously as the pseudonymous author of certain plays and poems written in the 16th century. This requires a lot of homework, a perpetual pile of nonfiction meant to keep me from…

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